Coppola would number five for me. Lynch, Antonioni, De Palma…Cameron
But movie directors are not the topic here.
Kubrick is one through ten, in reality.
Eyes Wide Shut, even sneaks Soros into EWS, because Kubrick knew these crazy people to the core. It has so many clues in the movie it requires many viewings
The topic is how talking about Soros is censored.
He’s the most evil
Conspiracy stuff, sorry. Illuminati tangents and secret societies are the foodstuff of pointless discussions, not the real world. People see what they want to see, I suppose.
My favorite thing about the Coens is their outright worship of Dashiell Hammett, something I share with them, and Miller’s Crossing is the only decent Hammett adaptation outside of The Maltese Falcon.
I saw again the other day. It’s a good movie. No where near top ten. On the Coens I liked No Country for Old Men, Miller’s Crossing and I always loved Raising Arizona. But what do they say? Not much. No Country was their best film.
Not really, we idolize this guy but look at the films. The acting is terrible. Most of these actors sound like they are on a stage, not a movie set. The dialogue is stilted, over enunciated and ridiculous.
Just watch this scene from a modern perspective. Any director who shot a scene like this now would be mocked and ridiculed, or this would be a parody.
That’s the wrong lens to view Hitchcock. Every single film director of note acknowledges his influence, and as far as acting is concerned he was at his creative apex when Hollywood was transitioning from “classical” to method acting. There’s a reason why older films appear to have such exaggerated mannerisms in all performances - it was the acting style of the time.